16

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Τομέας πολιτικής
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Ημερομηνία

Creative Europe programme 2021-2027

26-11-2019

Having considered the possibility of merging the Creative Europe programme with other programmes supporting European values, rights and justice, the European Commission has decided to continue the Creative Europe programme as a stand-alone programme, increasing its budget by 17 %. The only programme focusing exclusively on cultural and creative activities and enterprises, it falls under the 'Cohesion and values' heading of the 2021-2027 multiannual financial framework. The existing programme focuses ...

Having considered the possibility of merging the Creative Europe programme with other programmes supporting European values, rights and justice, the European Commission has decided to continue the Creative Europe programme as a stand-alone programme, increasing its budget by 17 %. The only programme focusing exclusively on cultural and creative activities and enterprises, it falls under the 'Cohesion and values' heading of the 2021-2027 multiannual financial framework. The existing programme focuses on the economic dimension of the cultural sector and its contribution to job creation and economic growth. Some stakeholders have voiced concern at taking such a strongly economic approach to culture. Under proposed programme, the economic dimension is one axis alongside the social dimension, and culture's contribution to international relations. The proposed framework for cultural policy therefore highlights not only the economic dimension of the cultural and creative sectors, but also the role of culture in social cohesion and its relation to creative and artistic freedom and diversity, and freedom and plurality of media. Both Parliament and Council have agreed positions on the proposal, and trilogue negotiations started in autumn 2019 with a view to finding agreement before Council’s first reading. Third edition. The 'EU Legislation in Progress' briefings are updated at key stages throughout the legislative procedure.

Copyright Law in the EU: Salient features of copyright law across the EU Member States

13-07-2018

As part of the mission to provide the Members and Committees of the European Parliament with new research tools in the area of comparative law, this document presents salient features of copyright law across the EU Member States and, more in particular, the prima facie corresponding provisions in national law relating to the exceptions and limitations contained in Directives 2001/29/EC and 2012/28/EU. The document will be updated regularly, especially in its electronic version, to take account of ...

As part of the mission to provide the Members and Committees of the European Parliament with new research tools in the area of comparative law, this document presents salient features of copyright law across the EU Member States and, more in particular, the prima facie corresponding provisions in national law relating to the exceptions and limitations contained in Directives 2001/29/EC and 2012/28/EU. The document will be updated regularly, especially in its electronic version, to take account of new or modified provisions of national law in relation to – mandatory or optional – exceptions and limitations deriving from existing or future EU legislation.

Εξωτερικός συντάκτης

EPRS, Comparative Law

Implementation of the Directive 2011/77/EU: copyright term of protection

15-03-2018

The objective of this study, commissioned by the European Parliament’s Policy Department for Citizens’ Rights and Constitutional Affairs at the request of the JURI Committee, is to examine the current status quo of implementation of the Directive, and to carry out an in-depth review of the practices in selected Member States. The study provides a brief overview of the international framework concerning the term of protection for performers and phonogram producers, and analyses the main objectives ...

The objective of this study, commissioned by the European Parliament’s Policy Department for Citizens’ Rights and Constitutional Affairs at the request of the JURI Committee, is to examine the current status quo of implementation of the Directive, and to carry out an in-depth review of the practices in selected Member States. The study provides a brief overview of the international framework concerning the term of protection for performers and phonogram producers, and analyses the main objectives and provisions of the Term Extension Directive. It explores in-depth the implementation and practices in seven selected Member States, and identifies best practices that can serve as a model for other EU Member States. In addition, the long term effects of the Directive are considered, both within the EU (in relation to relevant EU policies) and outside the EU (in relation to its main trading partners).

Εξωτερικός συντάκτης

Dr. Ana RAMALHO, Assistant Professor of Intellectual Property Law at Maastricht University (Netherlands); Dr. Aurelio LOPEZ-TARRUELLA, is Senior Lecturer of Private International Law at University of Alicante (Spain); coordinated by ARCA Consortium, S.A.

Research for CULT Committee - Why cultural work with refugees

06-11-2017

Cultural work with refugees has a long history. It is a contentious area. Instrumental approaches to cultural work with refugees raise significant issues. This briefing outlines the contentions, provides a theoretical basis for the work, gives leading examples of cultural work with refugees, including work that promotes intercultural understanding and work that promotes fear. It outlines key findings and recommendations, which have a substantial focus on ethical engagement, aesthetic importance and ...

Cultural work with refugees has a long history. It is a contentious area. Instrumental approaches to cultural work with refugees raise significant issues. This briefing outlines the contentions, provides a theoretical basis for the work, gives leading examples of cultural work with refugees, including work that promotes intercultural understanding and work that promotes fear. It outlines key findings and recommendations, which have a substantial focus on ethical engagement, aesthetic importance and societal wellbeing.

Εξωτερικός συντάκτης

Prof Alison Phipps, University of Glasgow, UNESCO Chair in Refugee Integration through Languages and the Arts

Research for CULT Committee - EU funding for cultural work with refugees: towards the next programme generation

06-11-2017

This briefing analyses the EU’s current programmes 2014-2020 that support cultural work with refugees in Europe and provides case studies of EU-funded projects in this field. It offers feedback from these projects, recommendations on the future programme generation, and suggests actions for the CULT Committee and its Members in order to inform and influence the future EU programme generation beyond 2020.

This briefing analyses the EU’s current programmes 2014-2020 that support cultural work with refugees in Europe and provides case studies of EU-funded projects in this field. It offers feedback from these projects, recommendations on the future programme generation, and suggests actions for the CULT Committee and its Members in order to inform and influence the future EU programme generation beyond 2020.

EYE 2016 – Patents, pirates and fair play

28-04-2016

Today the internet is at the heart of the new digital society. It is a communication tool but it can also be used to offer and to access online a vast range of commercial and cultural services or content. Policy-makers are trying to clarify the respective rights and obligations of consumers, creators of content and intermediaries who interact on the internet, and to make sure that innovation and fair competition can flourish. This note has been prepared for the European Youth Event, taking place ...

Today the internet is at the heart of the new digital society. It is a communication tool but it can also be used to offer and to access online a vast range of commercial and cultural services or content. Policy-makers are trying to clarify the respective rights and obligations of consumers, creators of content and intermediaries who interact on the internet, and to make sure that innovation and fair competition can flourish. This note has been prepared for the European Youth Event, taking place in Strasbourg in May 2016. Please click here for the full publication in PDF format

Crowdsourcing and crowdfunding in the cultural and creative sectors

23-02-2016

The internet offers digital spaces that can connect creators and service or content providers with consumers, and with new work, business or financing possibilities. In the sphere of arts and culture, this offers new opportunities for fundraising for events and projects, and for developing collaborative projects among artists, sometimes with public participation.

The internet offers digital spaces that can connect creators and service or content providers with consumers, and with new work, business or financing possibilities. In the sphere of arts and culture, this offers new opportunities for fundraising for events and projects, and for developing collaborative projects among artists, sometimes with public participation.

The Creative Europe Programme

17-11-2014

'Culture is the petrol of countries that are rich in history and talent', declared Irina Bokova, UNESCO Director-General, at its World Forum on Culture and Cultural Industries in Florence in October 2013. Indeed, culture and creativity are integral to a wide variety of economic activities. These aspects are addressed in the Creative Europe Programme which explores their potential in achieving the EU's goals of smart growth and job creation as set out in the Europe 2020 Strategy.

'Culture is the petrol of countries that are rich in history and talent', declared Irina Bokova, UNESCO Director-General, at its World Forum on Culture and Cultural Industries in Florence in October 2013. Indeed, culture and creativity are integral to a wide variety of economic activities. These aspects are addressed in the Creative Europe Programme which explores their potential in achieving the EU's goals of smart growth and job creation as set out in the Europe 2020 Strategy.

Commitments Made at the Hearing of Günther Oettinger - Commissioner-Designate

06-11-2014

In his answers to the questionnaire and during the hearing on 29 September 2014 before the Committee in Industry, Research and Energy and the Committee on Culture and Education, commissioner-designate Günther Oettinger made a number of commitments.

In his answers to the questionnaire and during the hearing on 29 September 2014 before the Committee in Industry, Research and Energy and the Committee on Culture and Education, commissioner-designate Günther Oettinger made a number of commitments.

The Resale Right Directive

15-11-2012

In 2011 the global art and antique trade was valued at over €46 million, with the EU having more than a one-third share. More than half of this figure is made up of modern and contemporary art. However, in contrast to the general acceptance of copyright globally there are different views on how visual artists should be remunerated. Within the EU such artists benefit from a resale right.

In 2011 the global art and antique trade was valued at over €46 million, with the EU having more than a one-third share. More than half of this figure is made up of modern and contemporary art. However, in contrast to the general acceptance of copyright globally there are different views on how visual artists should be remunerated. Within the EU such artists benefit from a resale right.

Προσεχείς εκδηλώσεις

22-01-2020
Understanding EU policy on data protection: State-of-play and future challenges
Άλλη δραστηριότητα -
EPRS

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