39

result(s)

Word(s)
Publication type
Policy area
Keyword
Date

Access to cultural life for people with disabilities

02-12-2019

Despite the additional barriers they face, artists with disabilities make a creative contribution to cultural life. People with disabilities should also have equal access to works of art and be able to enjoy cultural life on a par with all citizens. The United Nations (UN) Convention on the Rights of People with Disabilities entered into force in 2011. It enshrined, among other rights, the right of people with disabilities to access cultural venues such as theatres, cinemas and museums, and to enjoy ...

Despite the additional barriers they face, artists with disabilities make a creative contribution to cultural life. People with disabilities should also have equal access to works of art and be able to enjoy cultural life on a par with all citizens. The United Nations (UN) Convention on the Rights of People with Disabilities entered into force in 2011. It enshrined, among other rights, the right of people with disabilities to access cultural venues such as theatres, cinemas and museums, and to enjoy cultural materials, books, films and music in an accessible format. It also highlighted the right of people with disabilities to participate in cultural life as both amateur and professional artists. The European Union, party to the Convention, is committed to working on legislation, and implementing and promoting programmes and actions in favour of these rights. The EU disability strategy is a step in this direction. It also covers the cultural rights of 80 million people with disabilities in the EU. According to a public consultation on disability issues carried out in accordance with the recommendations of experts from the Member States working on access to culture, such access is an important area that the EU should address. Various EU funds contribute financially to research and innovation, cultural and infrastructure projects, and programmes promoting the right to cultural life of people with disabilities within this framework. In October 2018, the EU also ratified the Marrakesh Treaty, administered by the World Intellectual Property Organization, to facilitate access to published works for people who are blind, visually impaired, or otherwise print disabled. The EU effectively became a party to the treaty as of 1 January 2019, committing to set mandatory limitations and exceptions for the benefit of the blind, visually impaired, and otherwise print disabled. The European Parliament and its Disability Intergroup, established in 1980, promote the rights, including the cultural rights, of people with disabilities.

Creative Europe programme 2021-2027

26-11-2019

Having considered the possibility of merging the Creative Europe programme with other programmes supporting European values, rights and justice, the European Commission has decided to continue the Creative Europe programme as a stand-alone programme, increasing its budget by 17 %. The only programme focusing exclusively on cultural and creative activities and enterprises, it falls under the 'Cohesion and values' heading of the 2021-2027 multiannual financial framework. The existing programme focuses ...

Having considered the possibility of merging the Creative Europe programme with other programmes supporting European values, rights and justice, the European Commission has decided to continue the Creative Europe programme as a stand-alone programme, increasing its budget by 17 %. The only programme focusing exclusively on cultural and creative activities and enterprises, it falls under the 'Cohesion and values' heading of the 2021-2027 multiannual financial framework. The existing programme focuses on the economic dimension of the cultural sector and its contribution to job creation and economic growth. Some stakeholders have voiced concern at taking such a strongly economic approach to culture. Under proposed programme, the economic dimension is one axis alongside the social dimension, and culture's contribution to international relations. The proposed framework for cultural policy therefore highlights not only the economic dimension of the cultural and creative sectors, but also the role of culture in social cohesion and its relation to creative and artistic freedom and diversity, and freedom and plurality of media. Both Parliament and Council have agreed positions on the proposal, and trilogue negotiations started in autumn 2019 with a view to finding agreement before Council’s first reading. Third edition. The 'EU Legislation in Progress' briefings are updated at key stages throughout the legislative procedure.

Arts in the digital era

21-11-2019

Arts and technology have always been inter-related. Artistic expression has been facilitated thanks to technological innovation that enabled artists either to adapt technologies meant for other purposes, or to invent them as a way to foster the creative process. The past 30 years have seen the rapid development and deployment of digital technology, and an ever-increasing use of information and communications technologies for all sorts of needs, including artistic expression. One of the most recent ...

Arts and technology have always been inter-related. Artistic expression has been facilitated thanks to technological innovation that enabled artists either to adapt technologies meant for other purposes, or to invent them as a way to foster the creative process. The past 30 years have seen the rapid development and deployment of digital technology, and an ever-increasing use of information and communications technologies for all sorts of needs, including artistic expression. One of the most recent innovations, artificial intelligence, has already found its way into artists' studios and the creative process. The European Union faces international competition not only with regard to technological progress and art markets but also to the use of new technologies for artistic expression. Therefore, to keep their competitive edge, EU artists need to acquire skills and competences also in high-tech fields, and the research and innovation community needs to keep abreast of evolving developments. The EU is soon to adopt its financial framework for the next budgetary period (2021-2027) and is discussing the levels of funding for its various support programmes, such as those for research and innovation, for cultural and artistic activities, and for the accomplishment of its digital single market, which among other things allows diverse operators and consumers to meet and interact. The discussions on these funding programmes also touch upon funds for projects on the interaction between arts and technology.

Employment in the cultural and creative sectors

23-10-2019

Statistical data confirm the continued rise in the contribution of culture and art to the economy and employment in the EU and worldwide. An analysis of labour market data for culture and arts professionals provides an insight into the nature of the employment and livelihood which the sector provides. However, it points to frequent incidence of short-term contracts, part-time jobs and seasonal employment, two or more parallel jobs for people with university diplomas, and this employment situation ...

Statistical data confirm the continued rise in the contribution of culture and art to the economy and employment in the EU and worldwide. An analysis of labour market data for culture and arts professionals provides an insight into the nature of the employment and livelihood which the sector provides. However, it points to frequent incidence of short-term contracts, part-time jobs and seasonal employment, two or more parallel jobs for people with university diplomas, and this employment situation is frequently qualified as precarious. Culture is a specific domain characterised both by its business model, and its underlying nature of activity related to creativity, identity and self-expression. This combination of very material, financial, and transcendental aspects makes for unique employment conditions in this sector, with two divergent requirements: economic results and contribution to self-expression, well-being, social cohesion, and identity. Cultural works are often copyrighted, providing a source of revenue for cultural professionals. Revenue structure in the sector is complex due to the international mobility of cultural professionals and artists. For instance, such revenues are subject to taxes and can result in double taxation or taxation of people who do not reach the minimum threshold and thus lose their income unduly. The number of cultural professionals and artists is growing steadily, while their employment conditions become more and more unstable. This situation spreads to other sectors and needs to be addressed both in terms of social security and benefits, and revenues and taxation aspects. The EU competence in cultural, social and employment policies is limited, consisting of guidance and coordination without any possibility of harmonisation. However, since cultural professionals' EU mobility is sought after and considered important for the preservation of Europe's cultural diversity, the above-mentioned problems need to be addressed at EU level. The European Commission, Council and Parliament are aware of the situation and approach it from an employment and tax perspective. Cultural education policy could help strengthen the demand for cultural services, contributing to better employment and training of professionals in the sector.

EU policies – Delivering for citizens: Promoting European culture

28-06-2019

The concept of cultural diversity lies at the heart of the European project. Recent years have seen renewed interest in the sector's potential for promoting social cohesion, unity and tolerance, on the one hand, with continued recognition of its valuable economic role, on the other. There is a strong commitment at the EU level to ensure that culture is mainstreamed in all policy areas, with a special focus on the protection of cultural heritage and cultural diversity, which are key elements in cultural ...

The concept of cultural diversity lies at the heart of the European project. Recent years have seen renewed interest in the sector's potential for promoting social cohesion, unity and tolerance, on the one hand, with continued recognition of its valuable economic role, on the other. There is a strong commitment at the EU level to ensure that culture is mainstreamed in all policy areas, with a special focus on the protection of cultural heritage and cultural diversity, which are key elements in cultural identity and expression. From the economic point of view, the cultural and creative sector, which employs 8.4 million people in the European Union, is dynamic and has a large potential for growth due to its diversity and scope for individual creative freedom. Yet the development of this potential is hampered by barriers, notably linguistic diversity, fragmentation and different financial mechanisms across the EU. The EU's cultural and creative industry also faces challenge from digital technologies and global competition, particularly from the United States' (US) audiovisual industry, and from US and Chinese diplomatic efforts to promote their cultural output. Under the Treaty on the Functioning of the European Union, the EU's role in the context of cultural policy is a supportive and complementary one, direct responsibility in the area being largely a matter for the individual Member States. Nevertheless, since 2014, these challenges have been addressed at the EU level, inter alia via the strengthening of the digital single market, which is essential for access to culture, the circulation of European cultural works, the fair remuneration of creators and fair competition. Since the economic crisis, additional funding has also been made available for the sector via the European Fund for Strategic Investment introduced by the Juncker Commission in 2015. As indicated in a 2017 European Commission communication on the role of culture and education, the synergies between the socio-economic aspects are to be enhanced. The European Year of Cultural Heritage in 2018 is to feed into a reflection and actions related to shared culture and history. These issues are addressed in the New European Agenda for Culture, while the new multiannual financial framework for 2021-2027 envisages increased funding for culture. This will also support efforts to combine artistic and technological skills, which are a prerequisite for artistic expression in the new digital environment. This is an update of an earlier briefing issued in advance of the 2019 European elections.

Supporting Holocaust survivors

24-01-2019

Between 1933 and 1945, millions of Europeans suffered from Nazi crimes and the Holocaust. Today, the remaining survivors often live in difficult social conditions.

Between 1933 and 1945, millions of Europeans suffered from Nazi crimes and the Holocaust. Today, the remaining survivors often live in difficult social conditions.

Jewish communities in the European Union

21-01-2019

Europe's Jewish population has been diminishing in recent decades, and a growing number of anti-Semitic acts and anti-Jewish violence have been occurring in recent years in the EU. In defence of its values, including respect for minorities, the EU undertakes and funds actions to counter anti-Semitism. This is a further updated version of an 'at a glance' note published in January 2018.

Europe's Jewish population has been diminishing in recent decades, and a growing number of anti-Semitic acts and anti-Jewish violence have been occurring in recent years in the EU. In defence of its values, including respect for minorities, the EU undertakes and funds actions to counter anti-Semitism. This is a further updated version of an 'at a glance' note published in January 2018.

The European Union and Holocaust remembrance

21-01-2019

The term Holocaust refers to the mass murder of 6 million European Jews, Roma and other persecuted groups whom the Nazi regime and its collaborators sought to annihilate. The expropriation of property, state discrimination and persecution of the Jews by the Nazi regime began in 1933, followed by pogroms and incarceration in concentration camps. Ultimately, the policy was extended to all the European territories and countries controlled by the Nazis during the Second World War. It was a policy that ...

The term Holocaust refers to the mass murder of 6 million European Jews, Roma and other persecuted groups whom the Nazi regime and its collaborators sought to annihilate. The expropriation of property, state discrimination and persecution of the Jews by the Nazi regime began in 1933, followed by pogroms and incarceration in concentration camps. Ultimately, the policy was extended to all the European territories and countries controlled by the Nazis during the Second World War. It was a policy that would culminate in mass summary executions ('Holocaust by Bullets') and extermination camps. The perpetrators were prosecuted at the Nuremberg trials in 1945-1946, but the charge of crimes against humanity was preferred over genocide. It was not until 2005, on the occasion of the 60th anniversary of the liberation of Auschwitz, that a United Nations resolution on Holocaust remembrance designated 27 January as the day of commemoration. In the European Union, numerous programmes seek to preserve the memory of these tragic events in the history of the continent. Since 1995, the European Parliament has adopted resolutions drawing attention to the obligation to remember not only through commemorations but also through education. In November 2018, the EU became a permanent international partner of the International Holocaust Remembrance Alliance (AISH). This is an updated version of a briefing from January 2018.

A new European agenda for culture

14-01-2019

Culture can have various meanings and roles in our lives and societies. Continuous research into this subject reveals its significant contribution not only to economic growth and job creation but also to wellbeing, social cohesion and a sense of belonging. Together with culture's importance in shaping and maintaining international relations, these aspects define Europe's cultural strategy for the future.

Culture can have various meanings and roles in our lives and societies. Continuous research into this subject reveals its significant contribution not only to economic growth and job creation but also to wellbeing, social cohesion and a sense of belonging. Together with culture's importance in shaping and maintaining international relations, these aspects define Europe's cultural strategy for the future.

Article 17 TFEU: The EU institutions’ dialogue with churches, religious and philosophical organisations

05-11-2018

On the basis of Article 17 of the Treaty on the Functioning of the European Union (TFEU), the European institutions hold high-level meetings, or working dialogue seminars, on an annual basis with churches and non-confessional and philosophical organisations. This dialogue, focused on issues upon the European agenda, can be traced back to earlier initiatives, such as that launched in 1994 by Jacques Delors – 'A Soul for Europe' – which opened the way to encompass ethical and spiritual aspects of European ...

On the basis of Article 17 of the Treaty on the Functioning of the European Union (TFEU), the European institutions hold high-level meetings, or working dialogue seminars, on an annual basis with churches and non-confessional and philosophical organisations. This dialogue, focused on issues upon the European agenda, can be traced back to earlier initiatives, such as that launched in 1994 by Jacques Delors – 'A Soul for Europe' – which opened the way to encompass ethical and spiritual aspects of European integration. The draft Constitutional Treaty of 2004 included provisions on regular, open and transparent dialogue between EU institutions, representatives of churches and religious communities, and of non-confessional or philosophical communities. Although the Constitutional Treaty was rejected in French and Dutch referenda, its successor, the Lisbon Treaty adopted in 2007 and in force since December 2009, preserved the same provisions in Article 17 TFEU. The European Parliament has adopted numerous resolutions in defence of the principles of freedom of religion and belief as well as religious pluralism and tolerance, and stressed the importance of constant dialogue among, and with, religious as well as non-confessional and philosophical communities. It has regularly organised dialogue sessions within the framework of Article 17 TFEU on subjects of interest for the EU and its citizens. This is a further updated version of a briefing published in January 2018.

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