Pretraži

Vaši rezultati

Prikazuje se 10 od 11 rezultati

Piracy of online broadcast of sports events is a problem in the EU. No action at EU level in this field would lead to additional burdens on economic operators and would hamper completion of the Digital Single Market. This European Added Value Assessment (EAVA) looks at the existing EU legislation and checks if it provides sports events organizers and their licensees with an adequate level of protection against this risk. It also presents potential EU level action that could help solve the problem ...

This paper looks at liability of online providers for copyright infringements. The liability privileges in Articles 12 to 15 E-Commerce Directive can remain unchanged; they seem to be sufficiently flexible to adopt to new business models, which also make them in general future proof. These privileges do not, however, establish liability. With regard to injunction claims, Article 8(3) Copyright Directive provides for a satisfactory solution. EU rules establishing liability beyond injunction (e.g ...

Audiovizualna i medijska politika

Informativni članci o EU-u 01-11-2017

Audiovizualna politika u Europskoj uniji regulirana je člancima 167. i 173. Ugovora o funkcioniranju Europske unije (UFEU). Najvažniji zakonodavni dokument u tom području jest Direktiva o audiovizualnim medijskim uslugama koja je trenutno (2017.) u postupku revizije. Potprogram MEDIA, dio programa Kreativna Europa, najvažniji je instrument EU-a kojim se podržava medijska industrija, naročito njezin filmski ogranak. U Povelji Europske unije o temeljnim pravima traži se da se „poštuju sloboda i pluralizam ...

In February 2017, negotiators from the European Parliament, the Council and Commission reached a compromise on the proposal for a regulation on cross-border portability of online content services. The EP must now formally approve the new rules, enabling consumers to access their online subscriptions for content services when they travel across the EU and are temporarily outside their Member State of residence. The compromise text amends the Commission’s proposal in various ways. It clarifies that ...

Today the internet is at the heart of the new digital society. It is a communication tool but it can also be used to offer and to access online a vast range of commercial and cultural services or content. Policy-makers are trying to clarify the respective rights and obligations of consumers, creators of content and intermediaries who interact on the internet, and to make sure that innovation and fair competition can flourish. This note has been prepared for the European Youth Event, taking place ...

This European Implementation Assessment aims to provide briefing for the Committee on Legal Affairs (JURI) ahead of the publication of the Commission's legislative proposals concerning the modernisation of the EU copyright framework, which are expected towards the end of 2015. The specific objective is to help JURI Members achieve a better understanding of the actual gaps and weaknesses in the existing EU copyright framework.This European Implementation Assessment is divided into: an introduction ...

Copyright protection is territorial since rights are normally acquired and enforced on a country-by-country basis, and exceptions and limitations to copyright protection vary from one Member State to another. However, the new digital environment increasingly characterised by the use of the internet to deliver content across borders has an impact on both users and the creative industries, and represents a challenge to the implementation of coherent copyright legislation throughout the EU. The European ...

European film in the digital era

Kratki prikaz 20-04-2015

The fast pace of technological change is creating both challenges and opportunities for the film industry, notably in terms of distribution via new release channels (video on demand, downloading, streaming) and release windows (release chronology), and resulting changes in audience behaviour. New business models also raise questions over copyright for access to content.

In spite of the fact that Europe pioneered both technological and content innovation in cinema, at present the EU film landscape is characterised by the strong presence of Hollywood productions. In 2013, they held a share of nearly 70% of the EU market, while European productions represented only 26%. What makes the major US companies so powerful is the fact that they are vertically integrated, with activities spanning production and distribution, allowing them to spread risks over several films, ...

This study investigates how EU policy on music rights licensing, particularly for online services, is affecting cultural diversity. For that purpose, it analyses information on the popularity of different repertoires (Anglo-American, EU and domestic) in recent years in a sample of EU Member States. It finds that current policies are likely to weaken the position of authors and composers, therefore posing a challenge for cultural diversity.